INTERVIEWER: When I consider what a risk it must have been to write about homosexuality when you did…
BALDWIN: You’re talking about Giovanni’s Room. Yeah, that was rough. But I had to do it to clarify something for myself.
INTERVIEWER: What was that?
BALDWIN: Where I was in the world. I mean, what I’m made of. Anyway, Giovanni’s Room is not really about homosexuality. It’s the vehicle through which the book moves. Go Tell It on the Mountain, for example, is not about a church and Giovanni is not really about homosexuality. It’s about what happens to you if you’re afraid to love anybody. Which is more interesting than the question of homosexuality.
[Text ID: The mask was gone now, burned away / (from inside) / by Godβs gaze // There was no / I, there // was no heβ / finally // there was no text, only / what the words stood for; / and then // what all things stand for.]
IF MY LOVERS ARE MADE FOR ME BY THE WORLD I DO NOT WANT THEM FOR THE SAME REASON THAT THE WORLD MADE WHEAT BUT NOT BREAD MADE SOUND BUT NOT SONGS MADE MICHELANGELO BUT NOT HIS DAVID
I DEMAND THE LABOR OF LOVE SO THAT I MAY MAKE IT CRAFT SO THAT I MAY MAKE IT ART SO THAT I MAY MAKE IT MINE